The girl can't help it
A great rock n roll musical, masterfully written and directed, in Scope, by Frank Tashlin. Godard was a big fan, there are lots of cartoon references and the colours are great.
A blog mostly about the films I have just watched
A great rock n roll musical, masterfully written and directed, in Scope, by Frank Tashlin. Godard was a big fan, there are lots of cartoon references and the colours are great.
The child story is a bit tedious, but the rest was good, all the nastiness and quite barbaric too.
Classic Paramount film noir (never as good in this genre than RKO or Fox), with a great cast and screenplay from Chandler (and sharp dialogue) set in LA, all in pure 40's style. It's a shame we watched the TV remake first as it spoilt the plot.
Fellini remembers in youth in Rimini, with a great cast of odd and weird characters. There is no plot and is just a series of vignettes, some at very good, others a bit less so, but overall it is a very charming film.
Interesting take on film noir, in modern day SoCal, around a college, also inspired by David Lynch, quite weird, with a strange rhythm, and almost incomprehensible dialogues, not bad from a young director with limited budget, visually good, but a bit messy.
It takes a little while to get use to the Eglish language that is spoken (a bit too modern), but the production looks great and the story quite good so far.
I thought there was as much pseudo intellectualism from a bunch of students in that one than in Metropolitan, but in fact I slightly prefered the latter. Having recently seen The squid and the whale, which I really liked, I was disappointed by Kicking and Screaming.
Adapted from the Konami game by Roger Avary for Christophe Gans. It feels like a video game, too many useless monsters actually spoil the tension, it would have been much more frightening without all the CGI things moving around. Good production design from Carol Spier.
A pretty extreme film, with a bunch of fucked up character lead by a great Ben Gazzara, and a lost Ornella Muti in the dark despaired sides of LA. Some bits are almost unbearable, bu it is a sad and moving film, quite restarined for Marco Ferreri but unforgettable.
A fairly dark and depressing film from Jean-Paul Civeyrac, about loneliness and loss of a loved one again. Not his best.
Baumbach obviously can be compared to wes Anderson, and has a similar quirkiness, so this quite a bittersweet film (about a couple divorcing, and their kids being messed up), it's a bit sad and quite funny too (a mix of comedy and drama), and it is tight and short at 80 minutes.